Ramírez, who created the roughly 300 drawings that make up his known work between 1948 and 1963 while confined to a mental hospital in Northern California, is simply one of the greatest artists of the 20th century. He belongs to the group of accessible, irresistible genius draftsmen that includes Paul Klee, Saul Steinberg and Charles Schulz. Well selected and beautifully installed by Brooke Davis Anderson, a curator at the folk art museum, this show of 97 drawings, some mural-size, is the first museum exhibition of Ramírez’s work in New York and one of the best shows of the season.
Whatever ideas about art you hold dear, expect them to be healthily destabilized here. If a purely visual, white-cube experience of the autonomous art object is your thing, you may be startled by the illuminating correlations between the artist’s newly excavated biography and his pulsating images.
If you think art is anything but autonomous and that, rather than speaking for itself, it mainly says what we want it to say, then you must deal with the way these works made enough noise to survive against almost impossible odds.
"Outside In"
The Drawings of drawings of the Mexican artist Martín Ramírez
By Roberta Smith
The New York Times
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